4/28/2023 0 Comments Batchmod ableton patchThis vastly reduced the cost of recording, and also gave rise to a new idea: that the goal of recorded music involved capturing the “perfect” performance of an individual. But as technology advanced it became possible to record the musicians separately, overdubbing over mistakes if needed. The first few decades of recordings were broadly similar – get a group of good musicians together in a nice sounding room and keep recording until they all get it right in the same take. In the thousands of years before the invention of recorded music the only type of music people ever heard was live performance. In short, human timing is very important. Some neuroscientists think that rhythm – not just in music but in movement and speech – is how we spot the 'uncanny', the unnatural, even how infants recognise other animals of the same species. When measured in experiments the patterns of electrical activity in the brains of duetting musicians almost exactly correspond. And when you play a duet every note your partner plays affects your playing, and every note you play affects your partner : a two directional information transfer is happening.ĭr Hennig’s paper also references other research which suggests this information transfer back and forth occurs at a deep and fundamental level. What they found was that the timing of each individual note is dependent on every single note that both players had already played – a minor timing hiccup near the start of a piece will continue to affect every single note after it, up to the last notes. The Harvard scientists focussed on one aspect of musical performance – the fine (millisecond level) details of timing when two people play together. But it turns out it’s not just me and Rick: now it also seems to be corroborated by scientific research by Harvard scientist Holger Hennig, published in the Proceedings of the National Academy of Sciences. ![]() I personally felt like he had perfectly expressed an essential truth – a hunch that had been growing in the back of my mind for years that the unfakeable magic of a live performance was vitally important in the enjoyment of music. When it was published it felt like every musician I knew was referencing it – Rubin managed to explain something about making records real that seemed to strike a nerve with everyone. That quotation has stuck in my head ever since I read Andrew Romano’s interview with the legendary producer and former Columbia Records co-president Rick Rubin in Newsweek last year. My goal was to get Black Sabbath back to performing together – to jamming – because they are experts at it." - Rick Rubin. Everything’s in time, everything’s in tune, but it’s not a performance. The way most music is made today is parts are created and then played perfectly and then copied and pasted. ![]() Technology makes it easy to get everything ‘right.’ But if you rely on technology to get it right, you’re removing all of the human drama. Those reactions create tension – they create the band’s sound. " But what made Black Sabbath Black Sabbath was the way each of them interpreted what the others were playing. It gets down to the complex topic of human perception and makes for a deep read for anyone interested in the finer points of groove and rhythm. Before you download the patch and try it out for yourself, you can read the background from James Holden himself, giving a detailed account of the theories and challenges behind turning his concept into a reality. Now he’s made it available publicly to show how minute shifts of timing can turn a stale groove into something full of life and energy.Ī whole lot of thought, preparation and development went into the Group Humanizer. ![]() In fact, Holden has just introduced the patch into his live show, allowing his modular synthesiser to follow the shifting tempos of his live drummer. It's the errors and inconsistencies that give a beat its vibrancy, and a new patch from James Holden, the Group Humanizer, can shoot that much-needed human feel into your productions.īased on research from Harvard scientists, Holden has built a Max for Live device which automatically shapes the timing of your audio and MIDI channels, injecting the organic push-pull feel you can only get from human performance. More often than not, the answer lies in the fine art of groove and swing. But what’s missing in this perfect world of grids, clips and quantization? Often it feels like a track is lacking a certain something, but it’s hard to put your finger on it. Making electronic music has become a precise science.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |